Comments on: 50 Female-Directed Movies You Should Watch

50 Female-Directed Movies You Should Watch

joseph conrad is fully awesome — Thu, 31 Jul 2014 23:12:51 -0800

"DISCLAIMER TIME! 50 is a very small number. I make no claims to any of these lists being either comprehensive or some sort of objective analysis of the 'best' films directed by women. I make selections based on on what I've seen, what I like, and the position of the stars. One film per director. Ready? Let's go."

Part 1: The Mainstream Part 2: American Indies Part 3: Foreign Films Part 4: The Kitchen Sink Part 5: Reader Recommendations Bonus link RogerEbert.com: Women Writers Week – essays, reviews, and more. Introduction. Previously: Name 5 female directors. Go!, Hollywood doesn't trust women

By: eugenen

eugenen — Thu, 31 Jul 2014 23:37:59 -0800

She's dead wrong about Lana Wachowski's post-"Matrix" output, which has been uniformly awesome with the possible exception of "Revolutions." Also, the American Indies list has a bunch of pretty blah stuff on it but is missing Debra Granik's fantastic "Winter's Bone." The thing that makes me angriest is the almost complete lack of women making big-budget studio films. Like, I thought "Star Trek 3" would have been a fantastic project to hand to a female director, given the prominence of women in the fandom, but there are almost zero plausible contenders. How many women are there who've made studio movies budgeted at over, say, $100 million? Kathryn Bigelow (who seems to have moved on to exclusively prestige projects), Mimi Leder (who hasn't worked in years [EDIT: except in television, which seems to be more female-friendly across the board]), Betty Thomas (who doesn't seem to really be taken seriously these days), Lana Wachowski (who's probably too specific a talent, and too picky an auteur, to her great credit). Who else is there?

By: Joakim Ziegler

Joakim Ziegler — Thu, 31 Jul 2014 23:50:07 -0800

If you're going to go for a non-obvious choice for your Kathryn Bigelow pick (that is, not The Hurt Locker or Zero Dark Thirty (personally, I think the first is very good, and the second kind of average), don't go for Point Break, that just makes you look like you're going for early nineties action ironically. Go for Strange Days, which is fantastic.

By: eugenen

eugenen — Thu, 31 Jul 2014 23:58:10 -0800

Hell, I'll go for an even more non-obvious choice: K-19: The Widowmaker. Fantastic action flick.

By: Cannon Fodder

Cannon Fodder — Thu, 31 Jul 2014 23:58:53 -0800

Thats a good selection of films. I am much more ignorant of female directors than I should be, so thanks for this!

By: edeezy

edeezy — Fri, 01 Aug 2014 00:02:56 -0800

If I was making a list like this and was going to include an ironic choice there's no way it wouldn't be Jane Wagner's Moment by Moment. Lynn Shelton's great. I completely understand when people are turned off by the mumblecore label but everyone should really give her movies a watch. No Claire Denis or Marguerite Duras?!

By: Brian B.

Brian B. — Fri, 01 Aug 2014 00:26:10 -0800

No Claire Denis or Marguerite Duras?! And no Agnes Varda it seems.

By: yeolcoatl

yeolcoatl — Fri, 01 Aug 2014 00:44:41 -0800

Farah Khan

By: hippybear

hippybear — Fri, 01 Aug 2014 01:11:49 -0800

So, I'm going to suggest (probably to many people's horror) Jennifer Lynch's Boxing Helena, which is just about as perfect a cinematic metaphor for certain kinds of rather evil, controlling relationships as I have ever seen. It's brilliant, the cast is pretty great, the unfolding of the plot starts out horrifying and gets worse, and through it all, Sherilyn Fenn as Helena continues to hold the upper hand in the relationship, despite everything that is happening to her. Truly a film written and directed by a woman, offering insights into the ways men try to control females that they desire in a way which no male written or directed movie ever could.

By: Joakim Ziegler

Joakim Ziegler — Fri, 01 Aug 2014 01:13:55 -0800

Oh yeah, Winter's Bone is amazing. Seconded and thirded. It's also Jennifer Lawrence's first (or second, maybe?) big role, and she's really showing what she can do.

By: threeze

threeze — Fri, 01 Aug 2014 01:38:09 -0800

Liked the list even before I got to "Yes it is! In '87, Huey released this, Fore, their most accomplished album..."

By: EmGeeJay

EmGeeJay — Fri, 01 Aug 2014 01:39:31 -0800

The thing that makes me angriest is the almost complete lack of women making big-budget studio films. Like, I thought "Star Trek 3" would have been a fantastic project to hand to a female director, given the prominence of women in the fandom, but there are almost zero plausible contenders. Breaking Bad's Michelle MacLaren will make an excellent blockbuster the very first chance she gets.

By: vacapinta

vacapinta — Fri, 01 Aug 2014 01:39:37 -0800

No Claire Denis or Marguerite Duras?! And no Agnes Varda it seems. Yeah, the foreign film list seems to be more like "What's on Netflix Instant?" than "Here are some of the greatest films directed by women." Seems unnecessarily myopic.

By: biffa

biffa — Fri, 01 Aug 2014 01:49:20 -0800

If you're going to go for a non-obvious choice for your Kathryn Bigelow pick (that is, not The Hurt Locker or Zero Dark Thirty (personally, I think the first is very good, and the second kind of average), don't go for Point Break, that just makes you look like you're going for early nineties action ironically. Go for Strange Days, which is fantastic. Are you already kicking yourself for leaving Near Dark off this list? its got Vasquez and Hudson! Easily in Bigelow's top two films.

By: kokaku

kokaku — Fri, 01 Aug 2014 01:49:58 -0800

Gave it a quick skim, but I don't recall seeing Sally Potter, Jane Campion, or Agnieska Holland in there. Also, terrible click-bait format for presentation.

By: GenjiandProust

GenjiandProust — Fri, 01 Aug 2014 01:56:03 -0800

I really liked Saving Face by Alice Wu. I'm bugged that she's never managed to direct another film.

By: pony707

pony707 — Fri, 01 Aug 2014 01:57:34 -0800

We Need To Talk About Kevin was an amazing movie, even if I was completely unable to take John C. Reilly seriously. I thought Clueless was better than Fast Times at Ridgemont High, if we're talking about Amy Heckerling. I'm glad to see her on this list, regardless. This is a good list, too. Nora Ephron, Asia Argento, Maggie Carey.

By: pony707

pony707 — Fri, 01 Aug 2014 01:58:53 -0800

You know what's sad? I said to myself, "I wonder why so many of these women are known for telling men's stories." Like Mary Harron. Then I thought, "That's... probably why they're *known.*"

By: eugenen

eugenen — Fri, 01 Aug 2014 02:29:13 -0800

You know what's sad? I said to myself, "I wonder why so many of these women are known for telling men's stories." Like Mary Harron. Then I thought, "That's... probably why they're *known.*" It's a little lame, IMO, to dismissively characterize Harron directing 'American Psycho' as "telling men's stories" -- I thought a woman taking on that book was a gutsy and subversive move. Agnieszka Holland's 'Burning Bush' is in fact on that list.

By: fraula

fraula — Fri, 01 Aug 2014 02:38:55 -0800

"I wonder why so many of these women are known for telling men's stories." Check out Marguerite Duras. Her stuff was eye-opening for me. Try L'Amant (she didn't direct it, but she wrote it; it's autobiographical), Hiroshima mon amour... In France there's also Josiane Balasko, who's got something of an acerbic sense of humor (doesn't work for everyone), Anne-Marie Miéville, and Claudine Nougaret, to name just a few of many.

By: biffa

biffa — Fri, 01 Aug 2014 03:48:05 -0800

Scandinavia is a bit under represented on the list. Susanne Bier's 'In a Better World' got the Best Foreign Language Oscar but 'After the Wedding' is also good.

By: Hermione Granger

Hermione Granger — Fri, 01 Aug 2014 03:51:27 -0800

I owe a huge chunk of my youth to Nora Ephron for having made "You've Got Mail". I only wish she'd never tried to remake "The Women"...

By: dogwalker

dogwalker — Fri, 01 Aug 2014 04:13:47 -0800

This list is incomplete without Kelly Reichardt, for Wendy & Lucy in particular.

By: dogwalker

dogwalker — Fri, 01 Aug 2014 04:22:19 -0800

OH!! And also Alison Maclean who directed one of my favorite movies, Jesus' Son, and then went into TV directing and I hope she will make another feature soon.

By: Steely-eyed Missile Man

Steely-eyed Missile Man — Fri, 01 Aug 2014 05:24:24 -0800

If you're going to go for a non-obvious choice for your Kathryn Bigelow pick (that is, not The Hurt Locker or Zero Dark Thirty (personally, I think the first is very good, and the second kind of average), don't go for Point Break, that just makes you look like you're going for early nineties action ironically. Go for Strange Days, which is fantastic. If you want the ultimate, you gotta be willing to pay the ultimate price of jerks on the internet thinking you like something ironically. Wait, who cares. Point Break rules.

By: Dip Flash

Dip Flash — Fri, 01 Aug 2014 05:24:37 -0800

I just looked through the foreign section, since that's mostly what I watch, plus the indie and mainstream parts, and as others have noted what got missed is just ridiculous. The format really sucks ass also; it's like the whole thing got no thought, from the choices of films to how to lay out the article. No Catherine Beillat? No Asia Argento? Good grief, no Jane Campion? I mean, this is a nice idea, but given what was left out this is pretty much a joke.

By: elgilito

elgilito — Fri, 01 Aug 2014 05:35:17 -0800

OK, I'll bite: here are > 50 significant (critics and/or box office) movies from French or francophone female directors of the younger generation (so no Kaplan, Varda, Companeez, Mieville or Duras here). Occasionally NSFW. Unifrance can send me a check now. Mona Achache: Le hérisson Chantal Akerman: Golden eighties, Un divan à New York Lisa Azuelos: Comme t-y est belle !, LOL Sólveig Anspach: Hauts les coeurs! Pascale Bailly: Dieu est grand, je suis toute petite Josiane Balasko: Gazon maudit, Ma vie est un enfer (NSFW clip), Cliente Emmanuelle Bercot: La puce Catherine Breillat: Romance Valéria Bruni-Tedeschi: Il est plus facile pour un chameau... Catherine Corsini: La nouvelle Eve Josée Dayan: Cet amour-là Julie Delpy: Two days in Paris, La comtesse, Two days in New York Claire Denis: Chocolat, Trouble every day, Beau travail Virginie Despentes: Baise-moi Marina De Van: Dans ma peau Anne Fontaine: Mon pire cauchemar Nicole Garcia: Place Vendôme Valérie Guignabodet: Monique Agnès Jaoui: Le goût des autres, Comme une image Noémie Lvovsky: La vie ne me fait pas peur, Camille redouble Maïwenn: Le bal des actrices, Polisse Tonie Marshall: Vénus Beauté Isabelle Mergault: Je vous trouve très beau Agnès Merlet: Le fils du requin, Artemisia Géraldine Nakache: Tout ce qui brille Pascale Ferran: Lady Chatterley Diane Kurys: Sagan Valérie Lemercier: Le derrière, Quadrille Patricia Mazuy: Saint-Cyr Agnès Obadia: Romaine par moins 30°C Euzhan Palcy: A dry white season, Rue Cases-Nègres Marie Perennou: Microcosmos Céline Sciamma: La naissance des pieuvres Coline Serreau: Trois hommes et un couffin, Romuald et Juliette, La crise Marion Vernoux: Reines d'un jour Sandrine Veysset: Y aura-t'il de la neige à Noël ? Yolande Zauberman: Moi Ivan, toi Abraham (no trailer)

By: Cookiebastard

Cookiebastard — Fri, 01 Aug 2014 05:52:31 -0800

"I wonder why so many of these women are known for telling men's stories." Like Mary Harron... Check out Mary Harron's excellent I Shot Andy Warhol. She also directed The Notorious Bettie Page, which I haven't seen yet but have heard good things about. Harron is probably better known for American Psycho, but it's not due to her lack of telling women's stories.

By: Stacey

Stacey — Fri, 01 Aug 2014 05:54:43 -0800

Thank you for this post - I look forward to working through it. Although I was about to snap at the lack of Samira Makhmalbaf on the Foreign Flicks page, until I realized it's broken up into multiple pages and she's on the second. Samira Makhmalbaf, folks: well worth checking out.

By: Ella Fynoe

Ella Fynoe — Fri, 01 Aug 2014 06:07:51 -0800

Oh yeah, Winter's Bone is amazing. Winter's Bone, the novel, is easily one of the top 5 most memorable* pieces of fiction I've ever read. This is not what this post is about, I know. * memorable in a strikingly good way

By: The Michael The

The Michael The — Fri, 01 Aug 2014 06:26:53 -0800

This list is incomplete without Kelly Reichardt, for Wendy & Lucy in particular. Exactly. She's an American treasure.

By: czytm

czytm — Fri, 01 Aug 2014 06:32:49 -0800

I recently enjoyed Kelly Reichardt's Old Joy and have been planning to watch Meek's Cutoff for ever. Guess I need to add Wendy & Lucy to the list as well.

By: The Underpants Monster

The Underpants Monster — Fri, 01 Aug 2014 06:36:23 -0800

This is great! Looking forward to when A Girl Walks Home Alone at Night and Belle are available, but going home tonight to put Dark Touch and Cracks in my Netflix queue and Wonder Women! The Untold Story of American Superhoines in my Hulu one!

By: maxsparber

maxsparber — Fri, 01 Aug 2014 06:43:58 -0800

I'm glad for the inclusion of Punisher: War Zone, even if the author seems confused about the astonishing brilliance of that film. I'd like to link to one of my favorites, the unjustly forgotten Sarah Jacobson, who was decades too early with her desire to create a zine-like revolution of insependent, microbudget filmmakers, and died of cancer so young she would not live to see exactly the revolution happen. Her two feature length films, I Was a Teenager Serial Killer and Mary Jane Is Not a Virgin Anymore, are impossible to find, although I did track down the latter and write about it.

By: St. Peepsburg

St. Peepsburg — Fri, 01 Aug 2014 06:53:22 -0800

Wow! Thanks for posting this. So many movies I didn't realized were directed by women. American Psycho?? Who knew!

By: h00py

h00py — Fri, 01 Aug 2014 06:54:51 -0800

Gillian Armstrong, who directed 'My Brilliant Career', 'Mrs Soffel', 'Little Women' and a most amazing series of documentaries, similar to the Seven Up series, which follows the lives of three women and their families over three decades or so, is worthy of mention.

By: kat518

kat518 — Fri, 01 Aug 2014 06:57:27 -0800

Can't wait to check this out. My husband and I decided to try to work our way through the AFI top 100 and once in a while, I'll think, these are all movies my father would like but do not interest me at all. Then I feel like I have bad taste - not that I care a whole lot, I like what I like, but what does it say about me if the movies I love are ones that people who know about movies feel ambivalent about? Not much, is my guess.

By: mochapickle

mochapickle — Fri, 01 Aug 2014 07:10:45 -0800

Was there no mention of Lone Scherfig? An Education, Italian for Beginners, Wilbur Wants to Kill Himself. We can just forget about One Day, but Riot Club comes out soon.

By: kat518

kat518 — Fri, 01 Aug 2014 07:13:45 -0800

It's hard to explain why I love the movie Mamma Mia but I thought it was interesting that it was the highest grossing movie musical of all time worldwide, the 5th highest grossing movie of 2008, and the third highest grossing movie internationally of 2008. It was directed by Phyllida Lloyd who also directed The Iron Lady.

By: whittaker

whittaker — Fri, 01 Aug 2014 07:40:58 -0800

The Lana Wachowski thing always makes me wonder about the ethics and philosophy of discussing the history of trangendered people and their works. On one hand, the essentialism argument: Lana Wachowski always felt she was meant to be a woman/was always really a woman and having 'Larry' on those credit blocks is really a standing lie. On the other hand, the transformative argument: Showing up to the set one day halfway through directing the Matrix sequels was a meaningful moment and can't be belittled as mucking about with just your public persona. That showing up as Lana is more than just the equivalent of 'coming out of the closet'. I'm curious if there's some consensus on this from transgendered people. I tend to semi-split the difference by referring to specific works under the credited name (generally with a 'formerly' prepended).

By: joseph conrad is fully awesome

joseph conrad is fully awesome — Fri, 01 Aug 2014 07:48:25 -0800

kat518 - yes, I love Mamma Mia, too. It's sort of a great New Year's Eve/Day movie. I put the disclaimer front and center so peeps would know that this is the author's own particular list - it may not coincide with your choices. There will be glaring omissions. It's great to see people adding what they think is left out, though. (I hated the format too but what the hey - work with what ya got.)

By: Monday, stony Monday

Monday, stony Monday — Fri, 01 Aug 2014 08:42:31 -0800

By: e1c

e1c — Fri, 01 Aug 2014 08:56:30 -0800

Who else is there? Angelina Jolie, of course, with In The Land of Blood and Honey, and the upcoming Unbroken.

By: Dip Flash

Dip Flash — Fri, 01 Aug 2014 08:57:53 -0800

I think the complain is essentially that it's a bit silly to make a "best" list about movies if you know very little about stuff made outside of the United States and only include token representation of it when you can easily make a big list just for France. Even more, to make a "50 best" without some of the directors mentioned above (like Jane Campion, say) who have had both critical and commercial success (and only including Sofia Coppola as a reader's suggestion), while including some of the oddball, sort-of-ok-kinda stuff that was included, just makes it look uninformed.

By: h00py

h00py — Fri, 01 Aug 2014 09:03:17 -0800

Well, it's just this person's opinion and there's a lot of names there. Add the ones you love right here and now; I'd love to get some more recommendations. Rachel Perkins, for instance, is an Australian director who's responsible for some amazing stuff.

By: yoink

yoink — Fri, 01 Aug 2014 09:14:42 -0800

elgilito, that's a fantastic list! So many great, great French women directors. I'd add at least one to your list, though, Pascale Ferran's Petits arrangements avec les morts. her Lady Chatterly is stunningly good, too, but Petits arrangements is every bit as powerful.

By: j_curiouser

j_curiouser — Fri, 01 Aug 2014 09:17:24 -0800

<derail>Seconded. I can't say enough good things about this early performance. I remember thinking about 20 minutes into the film, "holy shit, she's going places."</derail>

By: progosk

progosk — Fri, 01 Aug 2014 09:25:52 -0800

Surprised not to find Rebecca Miller mentioned at all - I found her film Angela really impressive.

By: whittaker

whittaker — Fri, 01 Aug 2014 09:39:46 -0800

Agnes Varda's Cléo from 5 to 7 is one of my favourite films. Fat Girl by Catherine Breillat is also fantastic.

By: elgilito

elgilito — Fri, 01 Aug 2014 10:18:12 -0800

but Petits arrangements is every bit as powerful. Indeed, I settled for Chatterley because I wanted a movie by Ferran and couldn't find a trailer for the Petits arrangements. One director I forgot is Marjane Satrapi, who directed Persepolis and the still unreleased surreal "thriller" The voices (Sundance review, no trailer yet) with Ryan Reynolds and a foul-mouthed talking cat.

By: kat518

kat518 — Fri, 01 Aug 2014 10:30:12 -0800

I think the complain is essentially that it's a bit silly to make a "best" list about movies if you know very little about stuff made outside of the United States and only include token representation of it when you can easily make a big list just for France. I understand this complaint but I appreciate that it appears the author didn't just look for best director nominees at the Oscars and Golden Globes and pull out the films by women. That would have been a different kind of list - still interesting and relevant, but different. I mean, it would have excluded Wayne's World.

By: kat518

kat518 — Fri, 01 Aug 2014 10:35:39 -0800

Wow, I just realized that none of the movies on the AFI top 100 were directed by women. That's kind of stunning.

By: julen

julen — Fri, 01 Aug 2014 11:47:37 -0800

I have a innate fondness for movies in which women figure out who they are by what they can do, so I was really pleased to see Waitress on the list - the world of the movie really rang true for me, even if it was wrapped up with an almost-fairytale-esque glow. I thought it was smart and insightful. I also really liked Whip It, which I invariably recommend to younger women of my acquaintance. (Marcia Gay Harden was really strong in her role as Bliss' mother, too!) As a movie, it's a little ragged and there are a lot of familiar motifs and notes, but it is put together well, and in an environment not often seen on screen. The cast really lifts it up. It basically bombed at the box office, but is well worth a rental. Among early female directors (I was glad to see Ida Lupino on the list, because she had a wonderful eye and strong skills, but she wasn't the first female director by far), I'd recommend Dorothy Arzner's The Wild Party, which features Clara Bow, but she directed a dozen others in the pre-Code era, often with now-famous actress.

By: hippybear

hippybear — Fri, 01 Aug 2014 12:24:13 -0800

I also really liked Whip It, which I invariably recommend to younger women of my acquaintance. (Marcia Gay Harden was really strong in her role as Bliss' mother, too!) As a movie, it's a little ragged and there are a lot of familiar motifs and notes, but it is put together well, and in an environment not often seen on screen. The cast really lifts it up. It basically bombed at the box office, but is well worth a rental. Whip It was totally awesome. It went entirely by the numbers except in all the ways it didn't. It felt (for me, a gay man) to be a very empowering story for women, and it left me pretty euphoric. It's one of those I will watch when I see it on the schedule, because it's got something special going on.

By: mr. manager

mr. manager — Fri, 01 Aug 2014 12:41:01 -0800

I don't know anything about Sally Potter's output apart from Orlando, but that film is just so wonderful. Also, if Tilda Swinton ever directs a feature film I'll be able to die happy.

By: el io

el io — Fri, 01 Aug 2014 12:41:12 -0800

A couple of IMDB lists

By: Sticherbeast

Sticherbeast — Fri, 01 Aug 2014 13:30:56 -0800

No Pet Sematary?

By: el io

el io — Fri, 01 Aug 2014 14:26:04 -0800

UCLA List of best women directed films in direct response to the lack of women on the AFI list.

By: whittaker

whittaker — Fri, 01 Aug 2014 14:29:39 -0800

Oof, how could I have forgotten Titus. Julie Taymor. 1999.

By: matildaben

matildaben — Fri, 01 Aug 2014 14:32:42 -0800

Ulrike Ottinger

By: ThatFuzzyBastard

ThatFuzzyBastard — Fri, 01 Aug 2014 19:25:18 -0800

I guess much of the delight of these lists is the recommendations they inspire, so... VAGABOND (Agnes Varda) is seriously one of the greatest movies of all time, with a female protagonist more complex and interesting than just about anyone in the last twenty years of American cinema. And once you've seen that, her documentary THE GLEANERS AND I is terrific DAISIES (Vera Chytilova): Great anarchist surrealism, and if you can find it, her PANELSTORY is also fantastic EXPERIMENTAL FILMS (Maya Deren): The mother of us all. Some of the most important experimental films ever made in America, endlessly quoted to this day WINGS (Larissa Shepitko): Wonderfully observational, low-key, but full of feeling THE CONNECTION (Shirley Clarke): Classic American scuzziness, with a cast that anticipates a lot of American indie style PLEASE GIVE (Nicole Holofcener): Holofcener at her worst can drift into indie-movie Nancy Meyers complacency, but this one is smart, lacerating, and like the best policitcal filmmaking, it raises a lot of questions that it refuses to answer. One of the most intriguingly ambiguous ending shots of all time ME & YOU & EVERYONE WE KNOW: The main plot is a little woo, but the subplot is so original and so untouched by most American film that it's worth it

By: kat518

kat518 — Fri, 01 Aug 2014 22:01:37 -0800

I was kind of waiting to see if anyone else would suggest Nicole Holofcener. OH I have a good one - Sarah Polley, Stories We Tell.

By: el io

el io — Fri, 01 Aug 2014 22:43:03 -0800

'Daises' on the blue (what is the opposite of 'previously'? 'nextly'? 'subsequently'?)

By: danabanana

danabanana — Sat, 02 Aug 2014 18:26:18 -0800

Lisa Krueger wrote and directed Manny and Lo, which features a tiny little Scarlett Johansson (12 years old) and is very good if you can find it. This thread has turned into a very useful resource!

By: anothermug

anothermug — Mon, 04 Aug 2014 11:53:52 -0800

Two of the best movies directed by any gender in the last few years have been Red Road and Fish Tank, both by the phenomenal Andrea Arnold. Red Road has either one of the most realistic sex scenes ever made -- or actual sex between the actors (I can't tell).

By: whittaker

whittaker — Mon, 11 Aug 2014 17:56:15 -0800

Oh oh oh oh oh! I forgot about The Woodsman by Nicole Kassell, (Trailer Here). No movie has ever put me on the edge of my seas in absolute invested suspense as the climax of this film. Ever.