The American landscape is dotted with places that witnessed enormous tragedies, and much like Flossenbürg they have now been absorbed into the everyday landscape. Unlike Flossenbürg, though, many of these American sites clumsily negotiate their dark heritage or simply ignore it in favor of aesthetically pleasant contemporary landscapes.The Aesthetics of Bliss and Trauma in Plantation Weddings: archaeologist Paul Mullins continues his series on "dark tourism".
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I looked on the plantation's website to see if there was any context to the house at all, but there was only shitty copy about how beautiful and historic it was. Local wedding attendees told me about the history of the place when I asked at the reception, stressing the architecture, the (white slave-owning) family that had lived there, how the building had been moved several times as the levees changed, even details about the floor. Literally everything except that this entire building was built by, on, and for, a people and an economic system that owned, abused, raped, and murdered Black people. At the time, I think I even said something to my partner about it was like hosting a graduation party at Dachau ("It's like, do they want their marriage to be cursed?")
So anyway all of that is a very long winded way of saying I'm glad that someone is talking about this, and thanks for the post.
(I also warned my partner in advance that the service staff at the venue were all almost certainly going to be Black, and I made my own private bet with myself that none of the guests would be. I was right about the guests, but none of the staff were Black either. I had about three seconds of feeling relieved about this. Maybe Black people understandably don't want to work on this site... And then it occurred to me, Or maybe the kind of people who develop a plantation to be a wedding venue only hire white people.)
posted by WidgetAlley at 1:09 PM on May 15, 2017 [70 favorites]